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Rear Window is so effective in getting us into Jeffries’ mental space. Most of the film is shot from his room. We often look out of the courtyard from his viewpoint so we can see what he has been seeing for we…
Sarah Callen
Simon Dillon
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All of it, I think. :)
Novelist and Short Story-ist. Film and Book Lover. If you cut me, I bleed celluloid and paper pulp. Blog: www.simondillonbooks.wordpress.com
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