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These lighthearted sequences spiral inexorably into something reminiscent of Brian De Palma’s Blow Out (1981) and Peter Strickland’s Berberian Sound Studio (2012). Billy’s reality is gaslit into fantasy when she’s unable to convince the authorities of what she w…
Jonathan 'Jono' Simpson
Simon Dillon
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Also both good points of comparison. :)
Novelist and Short Story-ist. Film and Book Lover. If you cut me, I bleed celluloid and paper pulp. Blog: www.simondillonbooks.wordpress.com
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