I’ve stayed off Twitter based on all the horrible things I hear about that platform. It truly sounds like a pestilential pit of miserable, condescending, sanctimonious, self-righteous idiocy. With that off my chest, you’re asking a very good question. Leaving aside factual inaccuracies and ludicrous flights of fancy (which I think bother audiences looking for horror thrills a lot less than some claim), I think perhaps because it dealt more in Satanic panic curses rather than more straightforward cases of possession might be one explanation. But that still doesn’t really explain why some might not care for it. For what it is, I think this film works very well. Certainly when I saw it, the audience seemed engaged (and very scared).