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… strip or otherwise sand away the edges of any script that expects its audience to think in any way. Ambiguity is generally only tolerated from directors who can somehow guarantee their faith in audiences’ historic capacity to grasp artful approaches to narrative and thematic revelations. Even then, it’s rarely the case that it’s permitted. (I recently wrote about our culture’s problem …
Cole Haddon
Simon Dillon
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Sad but true (in Hollywood, at any rate).
Novelist and Short Story-ist. Film and Book Lover. If you cut me, I bleed celluloid and paper pulp. Blog: www.simondillonbooks.wordpress.com
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